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We’re mere youngsters in a 13.8 billion-year-old galaxy, and “babbling babies are not always appreciated during adult conversation,” said Andrew Fraknoi, chair of the astronomy department at Foothill College in Los Altos Hills. “Listening and learning is how children become adults, and why not try that for a while?”. Still others endorse the effort. “I’d be happy to see this done,” said Seth Shostak, senior astronomer with the SETI Institute. “I think there’s something to be learned, nothing to be feared, and at least the possibility of discovering something truly revolutionary: We have company nearby.”.
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Q How did the music strike you, when you went back and conducted it?. A I was surprised by how minimalist the music is. When I started opening the score again, I hadn’t really looked at it or conducted it in 10 or 15 years — and compared to what I now do, I was shocked by all those bald arpeggios, bar after bar! It’s a kind of writing I would never do now. It’s not a pure stylistic trope the way early Philip Glass is — or the way late Philip Glass continues to be, for that matter. (Just two months ago I conducted Philip’s Ninth Symphony with the L.A. Philharmonic and was reminded how closely he has adhered to his minimalist technique.) But in 1985 I definitely was influenced and had a great debt to (Glass’s opera) “Satyagraha,” which I think is a masterpiece.
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Back in 2014, the then-“Celebrity Apprentice” host criticized the Oscars telecast on Twitter, writing, “This is Amateur Night — who the hell is in charge of this production?” and “I don’t know how much longer I can take this bulls–t — so terrible!”. — Donald J. Trump (@realDonaldTrump) March 3, 2014. Actually, in this complaint, the president has lots of company. Even his fiercest Hollywood elite opponents on immigration, women’s rights and environmental issues would agree that Oscar telecasts tend to be too long and bloated with uncomfortable dance numbers, awkward pacing and nonsensical film montages.
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