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Butterfly Walk: Join Sally Levinson, Garden volunteer propagator, docent and caterpillar lady on a search for butterflies. 3-4 p.m. Fourth Tuesdays monthly, through Oct. 28. UC Botanical Garden at Berkeley, 200 Centennial Drive. Free with garden admission. Space limited. Children welcome. Register by calling 510-643-2755 or email garden@berkeley.edu. Fish Feeding Time: Get close to crabs and see flounder, perch and pipefish. 3-3:30 p.m. Saturdays and Sundays. Crab Cove, 1252 McKay Ave., Alameda. 510-544-3187, www.ebparksonline.org.
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Caldwell Gallery: “Illuminating Insights” by Sloane Joseph, through Feb. 26. Caldwell Gallery, 400 County Center at the Hall of Justice, Redwood City. http://cmo.smcgov.org/arts-commission. Cantor Arts Center: “The Crown under the Hammer: Russia, Romanovs, Revolution,” through March 4 (also at Hoover Institution). “Rodin: The Shock of the Modern Body.” Open ended. Three galleries including nearly 100 Rodin sculptures; includes comparative works by his rivals, mentors, admirers and imitators. Cantor Arts Center, 328 Lomita Drive, Stanford. https://museum.stanford.edu/.
Todd Yellin, vice president of instant download - ballet shoe pattern for gumpaste keepsake cake topper product innovation at Netflix, pushes content suggestions at folks like Piacentini for a living in the form of customer suggestions using algorithms not unlike those used by dating sites, “We are trying to create matches, just like they are, And we also want to create love, just like they do,” said Yellin, “That’s our version of marriage, when they get really hooked on a great TV show on Netflix.”, Yellin sees two types of power watchers among the company’s more than 36 million members in 40 countries: “The monogamous and the polygamous.”..
Sofranko is rehearsing choreographer Penny Saunders’ “Joe & Ida,” for six dancers. The contemporary work has a unique movement vocabulary, and each step or gesture warrants the performers’ meticulous exploration, unlike classical ballet whose steps are completely familiar. The dancers work together painstakingly to make sure they know precisely where their weight will fall and how to negotiate every lift and hold when partnering. As they wrap the day’s practice session, Sofranko discusses his process for curating the first season.
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